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Doctoral dissertations

A presentation of the doctoral dissertations from the Academy of Music and Drama.

The dissertations can be ordered at bokus.se.
You can also order via mailing to acta@ub.gu.se.

Most of them are published in full at GUPEA – Gothenburg University Publications Electronic Archive.
Link to GUPEA

Music education

Cecilia Björck: Claiming Space: Discourses on Gender, Popular Music, and Social Change
(In English) Art Monitor 2011

Olle Zandén: Discourses on music-making: Conceptions of quality in music teachers' dialogues on upper secondary school ensemble playing
(In Swedish) (ArtMonitor 2010)

Ragnhild Sandberg-Jurström: Shaping musical performances. A social semiotic study of choir conductors' multimodal communication in choir
(In Swedish) ArtMonitor 2009

Marie Heléne Zimmerman Nilsson: Music Teachers' Choice of Teaching Content: A Study of the Teaching of Ensemble and Music Theory in Upper Secondary School
(In Swedish) ArtMonitor 2009

Monica Lindgren: Bringing order to aesthetics in school
(In Swedish) ArtMonitor 2006

Arts education

Märtha Pastorek Gripson: Positioner i dans: om genus, handlingsutrymme och dansrörelser i grundskolan praktik
(In Swedish) (ArtMonitor 2016) (dance)

Marie-Louise Hansson Stenhammar: Lärprocessens estetik, vad är det?
(In Swedish) (2015) (estetik)

Carina Borgström-Källén: When music makes a difference
(In Swedish) Art Monitor 2014

Tina Kullenberg: Signing and Singing - Children in Teaching Dialogues
(In English) Art Monitor 2014

Anniqa Lagergren: Music composition by children in tradition and in change
(In Swedish) Art Monitor 2012

Cecilia Wallerstedt: Pointing out the Invisible in Motion: A Didactic Study on Time in Music
(In Swedish) ArtMonitor 2010

Musical performance and interpretation

Magdalena Mayas: Orchestrating Timbre: Unfolding Processes of Timbre and Memory in Improvisational Piano Performance (In English) (ArtMonitor 2019)

Marina Cyrino: An Inexplicable Hunger - flutist)body(flute (dis)encounters
(In English) (ArtMonitor 2019)

Åsa Stjerna: Before Sound: Transversal Processes in Site-Specific Sonic Practice
(In English) (ArtMonitor 2018)

Kim Hedås: Lines: Music Moving - Compositional Changing
(In Swedish) Art Monitor 2013

Anders Hultqvist: Composition. The garden - of forking paths - A few tracks towards a compositional practise.
(In Swedish) Art Monitor 2013'

Sten Sandell: On the inside of silence. An investigation.
(In Swedish) Art Monitor 2013

Per Högberg: Organ Singing and Hymn Playing. Performing Congregational Song.
(In Swedish) Art Monitor 2013

Katarina A Karlsson: Think'st thou to seduce me then? Impersonating female personas in songs by Thomas Campion (1567–1617)
(In English) Art Monitor 2011

Per Anders Nilsson: A Field of Possibilities: designing and playing digitala musical instruments
(In English) Art Monitor 2011

Sven Kristersson: The Singer in the Empty Space - a Poetics. Performing the Gilgamesh Epic and Songs of John Dowland and Evert Taube.
(In Swedish) ArtMonitor 2010

Harald Stenström: Free Ensemble Improvisation
(In English) ArtMonitor 2009

Anders Tykesson: Music as Action. Analysis. Musical Interpretation and Performance. With a Study of Anders Eliasson's Quartetto d'Archi
(In Swedish) ArtMonitor 2009

Maria Bania: ”Sweetenings” and ”Babylonish Gabble”: Flute Vibrato and Articulation of Fast Passages in the 18th and 19th centuries
(In English) ArtMonitor 2008

Svein Erik Tandberg: Imagination, Form, Movement and Sound - Studies in Musical Improvisation
(In English) ArtMonitor 2008

Vidar Vikøren: Studies on Articulation on German Romantic Organ Music, 1800-1850. With a supplement on Registration Practice
(In Norwegian) ArtMonitor 2007

Performing arts

Johan Petri: The Rhythm of Thinking. Immanence and Ethics in Theater Performance
(ArtMonitor 2016)

Ulf Friberg: The Capitalist Actor
(In Swedish) Korpen Bokförlag 2014

Lena Dahlén: I go from reading to performing. Descriptions from a monologue practice
(In Swedish) Gidlunds Förlag 2012

Elisabeth Belgrano: 'Lasciate mi morire' o 'faro la finta pazza' - Embodying vocal nothingness on stage in Italian and French 17th century operatic laments and mad scenes. A Music Research Drama Thesis in a Prologue and 3 Acts
(In English) Art Monitor 2011

Contact Information

Anders Carlsson

Research coordinator,

+46 31 786 4338

Page Manager: Tobias Egle|Last update: 2/12/2020

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